Dating is innately predatory in “Fresh,” a wickedly amusing cannibal romance and dazzling attribute debut from the director Mimi Cave. Even the run-of-the-mill rotten blind day that opens the film has belly rumbles of menace, with crabs trapped in tanks, chefs slamming knives and ducks dangling in the window. Noa (Daisy Edgar-Jones), a doe-like graphic designer in Portland, Ore., finds herself on the hook to split the check out with a dingbat (Brett Dier) who loots her leftover noodles and leaves her sensation chewed up and spat out.
This singleton and her cynical ideal friend, Mollie (Jojo T. Gibbs), take into consideration themselves notify to the warning indications of a poor boyfriend. But a charming health care provider named Steve (Sebastian Stan), who scores Noa’s quantity in the make aisle of a grocery retail outlet, manages to generate Noa’s have faith in, and ours, for the duration of two dates and a street vacation. It is a substantial amount of time to savor Stan and Edgar-Jones’s playful chemistry — correct up right up until Steve drugs Noa with a poisoned cocktail, handcuffs her in the basement of his holiday vacation house and announces his starvation for a harrowing evening meal. (The screenplay was written by Lauryn Kahn, who cut her enamel crafting shorts for the comedy website “Funny or Die.”) Cue the opening credits which, coming 30 minutes into the movie, are successfully a prankish declaration that the film has performed its viewers for lovesick fools.
Now, the true heartbreak (and cleaving) commences. Edgar-Jones, who starred in Hulu’s “Normal People” in 2020 and who sales opportunities a characteristic for the very first time below, can permit her eyes properly with soaked vulnerability and, a beat later, burst into giggles at a joke about consuming breast meat. She plays Noa’s predicament straight. But the body about her efficiency is marvelously askew. Cave, the director, is a sharp observer of details: soaked lips, nervous toes, the cocky way Stan performs air guitar on a severed thigh. Comedy sharpens the film’s fangs, as do Martin Pensa’s witty edits and Pawel Pogorzelski’s daring, clever camera actions, which stumble and swoon and at times somersault to make it actually sense like Noa has long gone by means of the searching glass of horrible dates. (As a grace observe, the score includes a warbling ballad played on a musical noticed.)
“Fresh” wants to do — and say — all the things. As a end result, it can feel overstuffed with strategies. In addition to demonstrating a fluency in horror tropes, Kahn’s script pokes at a dozen fashionable mating stereotypes, even getting in an elbow at how today’s world wide web-savvy woman desires just 5 minutes of social media sleuthing to develop into a 21st-century Columbo. Cave lets the tone waltz from silly to unfortunate and back once more, but neither she nor Kahn obtain into lazy fictions about ladies who confidently completely transform into vengeful killers. As a substitute, they retain a conviction that adult men have the exact same exploitable comfortable places. “Giving oneself over to somebody, starting to be a person with any person else for good,” Steve purrs to Noa, “that’s a gorgeous matter, that is surrender, that’s appreciate.” No, that is a predator’s desire — and not all predators brandish forks.
Rated R for coarse language, coarse meat and hazy sexual intercourse. Running time: 1 hour 54 minutes. View on Hulu.