Artists react to the land in Visible Arts Division exhibition

Yoshiko Yap

“Satellite and Sediment,” the Section of Visual Arts’ wintertime term exhibition, attributes drawings and paintings by five acclaimed present-day artists who question distinctions involving human and all-natural systems.

The 5 are Athena LaTocha, Cynthia Lin, Beatrice Modisett, Barry Nemett and Sara Schneckloth. All but Schneckloth will be in attendance at the exhibition’s opening reception, set for Thursday, Jan. 19, 4:30-6:30 p.m. in the Feigenbaum Heart for Visual Arts’ Crowell and West galleries.

They will give brief gallery talks at 5 p.m. The celebration is no cost and open up to the public.

Manipulating satellite imagery, drone footage, collaged landscapes and foraged components, the artists mingle near observation and lived working experience, overall body and nature, realism and abstraction.

Beatrice Modisett, Feeding Sugar to the Stump (85x162 in)

Beatrice Modisett, “Feeding Sugar to the Stump,” handmade charcoal and wooden ash on Fabriano, 85 x 162 in.


“Bringing us into their intimate conversations with mother nature, these artists motivate us to search carefully at our individual associations with the climate around us, the sky earlier mentioned and the ground down below,” suggests Laini Nemett, affiliate professor of visible arts – painting and drawing, and the show’s curator.

Alaskan-born LaTocha is a Hunkpapa Lakota and Ojibwe artist. She performs her ink and earth drawings in live performance with the land, generally commencing them on and with the ground alone, permitting the atmosphere, rain, sand and soil immediate the piece.

Lin, based mostly in Brooklyn, is an associate professor of painting and drawing at Buy College or university. She reinterprets topographical particulars from NASA satellite imagery and magnified sections of skin with invented shades and unpredictable complex processes. Combining printmaking, scratch-board, solvent transfers, and oil on mylar, her significant-scale works go from pores and hair follicles to lava flows and land boundaries.

Lin will give an Artist Converse Friday, Jan 20, 12:45 p.m., in Place 204. The celebration, which consists of a catered lunch buffet, is co-sponsored by the departments of Visible Arts and Geosciences.

Modisett, dependent in Queens, employs handmade charcoal and wood ash from her house in upstate New York in her monumental drawings of waves, wind and intense climate, suggesting a state involving coalescing and collapse, forming and eroding.

Barry Nemett is professor emeritus of drawing and painting and previous chair of the Portray Division at Maryland Institute University of Art. His accordion guides mix a number of locations and climates, weaving intricate thickets and tree bark with expansive landscapes of patchwork fields, karsts and canyons throughout continents. He is the father of Laini Nemett.

Schneckloth, an associate professor in the University of Visible Artwork and Structure at the College of South Carolina, forages organic content from New Mexico’s San Juan Basin to generate pigments for her blended media drawings. Based mostly on small altitude drone footage, her loosely referential maps of the region’s banded topography advise geological formations and in depth resource extraction, as nicely as less-seen divisions in between general public and non-public lands.

The exhibition runs by means of March 10.

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